Its more droning and makes less attempt to be 'musical' in the traditional Western sense. North Mississippi Hill Country blues tends not to have any chord changes. 1 on Billboard‘s Top Rock Albums chart.Ĭheck out their rendition of “Crawling Kingsnake” and the Delta Kream track list below, and pre-order the album here. Listening to Junior Kimbrough now - he sounds so much like Ali Farka Touré. We recorded the entire album in about 10 hours, over two afternoons at the end of the Let’s Rock tour.”ĭelta Kream is a follow-up to their 2019 album Let’s Rock, which earned The Black Keys their fourth No. It felt so natural.”Ĭarney added, “The session was planned only days in advance and nothing was rehearsed. The record captivated the critics and blues audiences, earning him awards for Best Blues Album and Best Debut Album from the 1998 Living Blues Magazine Awards. Leaving Blues Terry 'Harmonica' Bean (Terry w. The style blends military marches, African drum traditions, minstrel tunes, slave songs. Hill Country Blues guitarist Jessie Mae Hemphill came from a musical family and struck out on her own after many years performing in north Mississippi fife and drum bands. Down in the Mississippi Delta (Tribute to Muddy and Elmore), Super Chikan 5.11. “It was a very inspiring session with Pat and I along with Kenny Brown and Eric Deaton in a circle, playing these songs. American fife and drum blues has been popular in the hill country of Mississippi and Tennessee for decades. These songs are still as important to us today as they were the first day Pat and I started playing together and picked up our instruments,” Auerbach said in a press statement. “We made this record to honor the Mississippi hill country blues tradition that influenced us starting out. The name of the album finds its own inspiration from William Eggleston’s iconic Mississippi photograph that also doubles as the LP’s cover art.
Dan Auerbach and Patrick Carney recorded the 11-track project at Auerbach’s Easy Eye Sound studio in Nashville, where the two were joined by Burnside’s guitarist Kenny Brown and Kimbrough bassist Eric Deaton, whose original work inspired Delta Kream.
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